The inverted word order is a stylistic marker in Turkish language, indicating that inversion of sentence elements occurs in contextually and stylistically marked situations. This paper examines contextual situations where the inversion of components of the first genitive case is applied. The analysis is based on examples found in the novels Masumiyet Müzesi, Kafamda Bir Tuhaflık and Kırmızı Saçlı Kadın by Orhan Pamuk. The first part of paper discusses contextual situations where the attributive component of the first genitive case is transferred to a postposition relative to the nominal predicate. The second part of the paper analyzes examples where the attributive component of the first genitive case is transferred to the postposition relative to the verbal predicate. The primary objective of the paper is to analyze the grammatical and semantical features of inverted sentences in which the attributive component of the first genitive case is transferred to the final position in the sentence. Such analysis contributes to better understanding of contextual situations where the inversion of components of first genitive case occurs and provides a good foundation and starting point for further research on the inversion of sentence elements in Turkish language.

The subject of this research paper is textual cohesion as one of the characteristics of the textuality of the Qur'an. Bearing in mind that al-tamāsuk (cohesion) as a term appears very early in Arabic linguistic thought the aim of the paper is to offer a theoretical overview of text cohesion in Arabic linguistics. Additionally, following the guidelines of text linguistics, the paper aims to analyse the linguistic devices used to achieve cohesiveness in the text of Surah Nūḥ. The work uses an analytical-descriptive method based on the analysis of lexical, phonetic, morphological and syntactic elements that participate in the realization of cohesionin the text of Surah Nūḥ. The research results show that the cohesiveness of the Qur'anic text is realized by grammatical, lexical and phonetic cohesive devices among which are: reference, ellipsis, conjunction, repetition, collocations, rhyming prose, paronomasia. The frequent presence of cohesive devices in the text of Surah Nūḥas a form of sacred text and its dialogic character of narration is closely related to different literary types of Arabic literature.

This paper explores the concept of happiness from the perspective of Islamic theology and tradition. In modern society, happiness is often perceived through the lens of material goods and individual rights, while Islamic tradition offers a deeper, spiritual framework for its understanding. The author analyzes the distinction between ancient and modern conceptions of happiness, highlighting that true happiness is rooted in spiritual fulfillment and living in accordance with God’s commandments. The paper also examines how different linguistic definitions and philosophical schools, including Greek and hedonistic traditions, shape the understanding of happiness, and how Islam, by emphasizing a balance between the material and spiritual, offers a holistic approach to this fundamental question of human existence. Through a comparison with the American Declaration of Independence and modern social norms, the author critically re-evaluates the hedonistic approach to happiness, emphasizing the dangers of seeking happiness solely in sensory pleasures. The paper concludes that happiness is a complex state that involves more than fleeting feelings of satisfaction and that true happiness requires a deep understanding of life’s purpose and spiritual effort.