TOLERANCIJA KAO IDEAL I EGZISTENCIJALNA NORMA
No matter how insufficient it is to fully respect and accept others in accordance with one’s own system of references, tolerance is seen as a universal norm for existence and one of the main modes of human sociability. It is not the product of only one culture or a characteristic of only one, such as modern, epoch. Tolerance presents, mutatis mutan...
By Nusret Isanović
DIMENZIJE ONTOLOŠKOG ZASNIVANJA TRADICIONALNE ARHITEKTURE
In architecture, human need to be a man is most vividly realized, but his desire for beauty, perfection and universality is projected as well. It encompasses his thoughts about the Supreme, himself and the universe, and expresses “an objective identity of a concept and things”. This paper develops a discourse on architecture as a universal form of ...
By Nusret Isanović
THE BIRTH OF THE IDEA OF A UNIVERSITY AND ITS MEDIEVAL EMBODIMENT
Our postmodern era is characterized by the ending of a University and disappearance of the idea of higher education. The awareness of the ending of a University should contain a clear image of its beginning. But that is not the case. Even after so much time, there are still opacities regarding the origin, forming and growth of the idea of a Univers...
By Nusret Isanović
KA'BA – THE PROTOTYPE WORK OF ISLAMIC ARCHITECTURE
The Ka’ba in Mekah and the Prophet’s house in Maddinah are the archetypes of Islamic architecture. They are situated in, for Muslims, most sacred places (al-haramayn). The Ka’ba represents the beginning and the Prophet’s mosque the end of forming a fundamental cultural matrix, or in other words macroparadigm, of the People of the Book as a basis fo...
By Nusret Isanović
Semiotic nature of islamic art
An art like Islamic, that emerges from the feelings of listening attentively to the persuasions of God’s signs all around present, from the ambiance of reading them, competent understanding and following, can be nothing but a sign. Like natural phenomena, which also are God’s ¨signs¨ or ¨symbols¨ in the world of images, the works of Islamic art do ...
By Nusret Isanović
Architecture as a space-enriching thought of islam
Together with calligraphy and arabesque architecture is considered the most authentic artistic form of Islam. It takes the central place in the hierarchy of its art. Islamic architecture as a special art of constructing and organizing area in a particular way conveys the spirit of “new” religion. It represents the development and numerous complexit...
By Nusret Isanović
The great mosque in Damascus – a work of symbiosis of islam and the culture of the orient
The emergence of Islamic art as a cultural and historical reality of Islam is linked to the Ummayads. The crowning work of Islamic culture of the Ummayad Period is one of the most interesting works of Islamic architecture in general - the Great Mosque in Damascus. This work marks the coming out of Islamic art from the phase of vacillation and a wav...
By Nusret Isanović
The Dome of the Rock – a signifier of the beginning of the history of Islamic art
A dome on the rock is the first monumental masterpiece of Islamic architecture in the Umayyad time. Like the Big Mosque in Damascus it was raised on different authentic elements of Syria and Mesopotamia and on the inspiration that once used to be suppressed, but which was released by Islam. This is the work of the mentality ruled by a cosmic feeli...
By Nusret Isanović